Hindu Religiosity towards the Baris Bedil Dance in Desa Pakraman Manukaya Let, Tampaksiring, Gianyar Subrata I Wayan Faculty of Religious Science and Culture, The University of Hindu Indonesian, Jalan Sangalangit, Tembau, Penatih, Denpasar Bali Online published on 25 October, 2016. Abstract In the Balinesesocietieslife was famous for the uniqueness of various religious traditions (Hindu) and its culture. The one uniqueness that can be revealedwasBarisBedildance, the name was bebarisan thatcould be meant, a troops. It was a walidance i.e. the religious ceremony of dewayadnya in Pakraman Manukaya Let, Sukawati, Gianyar. As a religious cultureproduct, Baris Bedildance was merely conducted when one atemplebelonging in village performing dewayadnya. The attributes were to use a bedil (rifles gun) made of by wood was a symbolic expression unlike a soldier on the battlefield. The front was a way to hold and dor, dor, dorthree times, then, on the left position the gunsound dor, dor, dorthree times, and on the right side guns dor, dor, dorfor three times. All the guns sound shots out of dancers who number as many as sixteen people. The guns sound i.e.the dewatanawasanga (nine winds universe ruler), nature wherein living always under the god'sprotection was, Dewa-Dewa (Gods), Sanghyang Widhi Wasa(God Almighty). The dance had an important function that was always there in the past centuries. Through the dance art as a medium for the desiredexpression, feeling, thought, causing pleasure and satisfaction. Therefore, the religion had an important function to unite the views and attitudes of men, productive work, creative work, as factors that drove, and as a rule to the whole life. Top Keywords Religiosity, Baris Bedil Dance, Integrity, Creative and Innovative. Top |